Mary DeNeale Morgan (1868-1948)

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Mary DeNeale Morgan - "Sand Dunes and Cypress" - Tempera on paper - 13 3/4" x 35" overall including frame - Signed lower center right
<br>Triptych panel dimensions:
<br>8" x 6 1/4"   8" x 14"   8" x 6 1/4"
<br>Original carved gilt frame
<br>
<br>NOTE:
<br>In 1928 Scribners Magazine selected DeNeale Morgan from among 500 artists in Who’s Who in Art as “One of the group of most prominent women artists in America. From that time on, the California press usually referred to her as the “Dean of Women Painters”, and always stated that “she paints like a man.”
Mary DeNeale Morgan - "Sand Dunes and Cypress" - Tempera on paper - 13 3/4" x 35" overall including frame - Signed lower center right
<br>Triptych panel dimensions:
<br>8" x 6 1/4"   8" x 14"   8" x 6 1/4"
<br>Original carved gilt frame
<br>
<br>NOTE:
<br>In 1928 Scribners Magazine selected DeNeale Morgan from among 500 artists in Who’s Who in Art as “One of the group of most prominent women artists in America. From that time on, the California press usually referred to her as the “Dean of Women Painters”, and always stated that “she paints like a man.”Mary DeNeale Morgan - "Sand Dunes and Cypress" - Tempera on paper - 13 3/4" x 35" overall including frame - Signed lower center right
<br>Triptych panel dimensions:
<br>8" x 6 1/4"   8" x 14"   8" x 6 1/4"
<br>Original carved gilt frame
<br>
<br>NOTE:
<br>In 1928 Scribners Magazine selected DeNeale Morgan from among 500 artists in Who’s Who in Art as “One of the group of most prominent women artists in America. From that time on, the California press usually referred to her as the “Dean of Women Painters”, and always stated that “she paints like a man.”
Title:
"Sand Dunes and Cypress"
Date:
c. 1915
Size:
13 3/4" x 35" overall including frame
Medium:
Tempera on paper
 
Signed lower center right
Triptych panel dimensions:
8" x 6 1/4" 8" x 14" 8" x 6 1/4"
Original carved gilt frame

NOTE:
In 1928 Scribners Magazine selected DeNeale Morgan from among 500 artists in Who’s Who in Art as “One of the group of most prominent women artists in America. From that time on, the California press usually referred to her as the “Dean of Women Painters”, and always stated that “she paints like a man.”
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